Step 2 - Before You Decide Niche: 12 Niche Qualifiers…
On my FaceBook chatter I recently received this request from
Franis Eangel:
I'd like to see a blog post on how to encourage commitment…
That’s easy - build a community for them. People want to belong
- if you can create a place where they can belong, they will stay with you a
long time. It means you need to ask: what is the common currency of my
community?
That is what we call your niche. You don’t want to create an
entirely new community from the start - that is very, very hard. When Alexander
Technique teachers want to just teach Alexander Technique, that is in fact what
they are trying to do. I tried and failed to do this in Sydney the second time
around when I attempted to launch BodyChance there in 2010. Drunk with my
success in Japan, I thought - let’s bring this thing to Australia.
I underestimated how hard it is to build a community around
Alexander Technique. That, my friends, is a mammoth task. Unless you have deep
pockets, lots of time and street smarts - I wouldn’t try. If you are teaching
“Alexander Technique” and wondering why it is hard to keep people coming to
lessons, I emphasize with you and I have this message: Alexander Technique does
not qualify as a niche.
Ultimately it can become one: I’ve begun to succeed with that in Japan,
but that has already taken me 13 years and counting. I promise you - that’s not the way to
start! The way to start is with a group of people who are already gathered
together in a common interest. Whether those people are golfers, musicians,
people with stage fright, bad backs or a terminal disease, it first depends on your core passion
and life mission that I wrote about in yesterday’s blog.
The second part is that financial success is not built on
passion alone. You need a sober, fact finding look at the niche you are
considering…
Do they already exist? Have they got societies, magazines,
conferences, websites, discussion forums, mail lists etc. that you can access? Your
niche also needs to be big enough to sustain supporting you, rich enough to
support sustaining you, and habituated to doing whatever it is you want them to
do: you must “qualify” your niche. I am going to show you how. One ideal niche
for Alexander Technique is classical musicians. By showing how they qualify on
all 12 points, you can decide if the niche you are considering hits all these
same marks. The more ticks you get, the easier your job becomes…
The 12 Niche Qualifiers
The 12 Niche Qualifiers
1. Are there plenty of them?
At my workshop today, one student wanted to
enter the niche of Anusara Yoga, so I asked
him: “How many people are seriously into that?” His answer: “About 1,000.” You
can’t build a business on that! Classical musicians however? In Japan, about 6%
of people play music in some way - that’s 780,000 people in Tokyo. Need I
say more?
2. Are they passionate about their craft?
So are golfers, weight watchers, property
investors, hobbyists - get the picture? Is your niche as consistently dedicated
to their craft as classical musicians are to theirs?
3. Do they already engage in continuous
education?
Another person at the workshop was inspired
to work with mothers with young children - they are passionate about their
children. “But how many of them have time to go lessons? And what do they do
with their toddlers?” I asked. Classical musicians, however - especially
amateurs - never really stop taking lessons.
4. Do they expect to pay for education?
People following spiritual things often
expect to get it free, or “by donation”. Does your niche have a budget and an
expectation to pay for extra learning? Do they even have a habit of extra
learning? Classical musicians do.
5. Is the niche community being replenished?
Social dancing, or ballroom dancing, was
once a great and flourishing niche in Japan. These days, there are less and
less of them. Young people are not joining in as they did in the past. This is
not happening in the classical music scene. Every year, hundreds join the ranks
- is your niche growing, shrinking or stable?
6. Can you easily access them?
Today’s workshop: “I want to work with
anxious people.” “Ok,” I said, “How are you going to find them?” Unless you
have deep pockets to take out full page adds in national papers, you need to
find places where your niche already congregates. You need to reach eyeballs
with your message, and you need to do it with a minimum outlay. In the music
world there are conferences, magazines, FaceBook groups - the list is huge.
7. Do they live in concentrated areas?
Farmers would be a hard niche to teach
because, well, they are rural. Alexander Technique teachers need to go
belly-to-belly to deliver a service. Are enough your niche living or working close
by your studio to realistically support your business?
8. Do they have money to spend?
Some people may need you, but they will
never spend the money. Many reasons - they may not have it, they may not expect
to spend it, they may think it is wasteful: classical musicians spend a fortune
on their instrument, they buy nice clothes and they expect to pay high prices
for Master classes, concerts and, well, Alexander Technique lessons!
9. Have they got problems that you can solve?
Maybe this should be number one, but
anyway: do they have a problem which you can solve for them? Alexander
Technique gives classical musicians: a better method for practise; a way to
overcome stage fright; improved sound; and increased confidence. Do I need to
say more?
10. Are they responsive and educated?
The Alexander Technique message is nuanced
- is your audience appreciative of AT’s subtle “non-doing” message? Classical
musicians know all about nuance, they are a well educated and sophisticated
audience. Is your niche the same?
11. Are they used to paying high prices
Part of financial success is being able to
take up your price as your reputation grows. Classical musicians expect to pay
high prices for Masters classes - is your niche the same?
12. Is your niche an unregulated environment?
Alexander Technique teachers who specialize
in helping people in pain, increasingly face a complex legal and regulatory
environment, where their right to touch may itself be regulated. No worries
about such things in the classical music world.
If your niche fails on too many of these points - think
again. I can’t make rules, so use your own common sense. Tomorrow I will
explore where you live, not only physically, but in virtual space too. Stay
tuned…
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ReplyDeleteJeremy, do you actually work with classical musicians as a niche or are you just imagining that this could be a good niche for others in Japan? I am a classical musician in Cincinnati, OH (USA) and I have pretty much ruled this out as a niche because I don't agree that it passes all your criteria. I suspect that the situation is very different in Japan from in the United States. It is likely that it passes those criteria in Japan, and perhaps in Europe, but the state of classical music in the US is not at all the same. It is much more of a dying art, unfortunately.
ReplyDeleteHi Jennifer - yes, we very much follow this niche in Japan. We are opening an AT teacher education school just for musicians starting next year - so it is a healthy, flourishing niche! But I am talking Tokyo, 13 million people, not Japan. Interesting what you say about it - are you talking Cinncinnati or USA?
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